Three hours after boarding a train near Amsterdam, I stepped into the medieval town of Maastricht, which perks up around this time every year since The European Fine Art Foundation, or TEFAF, began in 1988. I joined the throngs of collectors, dealers, students, and art lovers in the wings. And then the doors opened to the world’s most lavish art fair, featuring exquisite fine art, antiques, jewelry and other treasures from more than 260 dealers.
TEFAF is as well known for putting on a spectacle as it is for its rigorous vetting process. To ensure that collectors can buy with highest confidence, a committee of 175 experts in various categories painstakingly examines each work for authenticity, condition, and quality. They employ XRF technology, and TEFAF was the first fair to incorporate The Art Loss Register. Furthermore, the fair is by invitation only: a gallery must have a fine pedigree in order to participate. Official categories include paintings, antiques, modern works, manuscripts, classical antiquities, haute joaillerie, design, and paper-based works. I was surprised at the diversity I encountered within these areas: modern sculpture, Uruguayan equestrian gear, Renaissance leather wall panels, Chinese porcelain, Iznik tiles, seventeenth-century metalwork, Japanese prints, Australian aboriginal art, and contemporary ceramics.
Though the fair’s calling card is Old Master paintings, the exhibition design boasted a modern flair, with sharp edges, sweeping high walls, a color palette of black, white, and gray, and a large-scale contemporary work adorning the entrance (Figure 1).
Figure 1. Entrance hall of TEFAF 2013 featuring Joanna Vasconcelos’ piece, Mary Poppins. Photograph by Harry Heuts.